Adam-Richter.com https://validator.w3.org/feed/docs/rss2.html When the lights go down, everything changes Contact About Me THE BANSHEE FILES Aftermath of a premiere: Gratitude, relief and what comes next Data and enterprise stories Five songs essential to the development of ‘Banshee’ The Easter Rising and the roots of an obsession The language of culture, or why “Banshee” mixes English with Irish Must AI invade the theater space, too? February is a month of quantity, not quality Resume Plays Portfolio How poetry and music informed “Banshee” How a stage direction in rehearsal forced a rewrite of ‘Banshee’ The annoying art of revision ‘Eye Contact’ ‘Hot Dog of Destiny’ ‘Rebel Chocolates’ Fact, fiction and drama: Letting the arts show the way to the truth ’37 Origami Bees’ ‘Banshee’ ‘The Conscience of the King’ ‘Clips’ What Yeats taught me about the banshee ‘You Don’t Own My Soul Anymore’ ‘Hero Work’ ‘The Severed Head Atop the Tree Has a Few Things to Say About the Holiday’ ‘Shorten the Road’ “Jacob and Ebenezer: A Love Story” Plays and Scripts Production History Upheaval is a tale as old as time What we should talk about when we talk about AI First-time director has some notes Playwriting year in review: It’s not all about the productions (luckily) When the resolution goes astray Google will kill the Web with AI Lazy Saturday blogging: Despondent dog Adam Richter Dot Com Playwrights you should read, part one Write your way out of the darkness Writing is a solitary act, except when it isn’t Ireland: the perennial source of a writer’s inspiration Get to ‘End of Play’ without your inner editor For the new year, a simple resolution Does Twitter matter? Mirror Pond Columns and essays Blog: The Richter Scale